The Ballad of Narayama (1958) (English Subtitled)

The Ballad of Narayama (Japanese: 楢山節考, Hepburn: Narayama bushikō) is a 1983 Japanese film by director Shōhei Imamura. It stars Sumiko Sakamoto as Orin, Ken Ogata, and Shoichi Ozawa. It is an adaptation of the story of the same name by Shichirō Fukazawa, which had previously been adapted for a 1958 film directed by Keisuke Kinoshita. Both films explore the legendary practice of ubasute, in which elderly people were carried to a mountain and abandoned to die. Imamura's film won the Palme d'Or at the 1983 Cannes Film Festival. Click on the above image for the full film.

In the Realm of the Senses / Ai no corrida

In the Realm of the Senses (Ai no corrida), by the always provocative Japanese director Nagisa Oshima, remains one of the most controversial films of all time. Based on a true incident, it graphically depicts the all-consuming, transcendent—but ultimately destructive—love of a man and a woman (Tatsuya Fuji and Eiko Matsuda) living in an era of ever escalating imperialism and governmental control. Less a work of pornography than of politics, In the Realm of the Senses is a brave, taboo-breaking milestone, still censored in its own country.

That Girl In Yellow Boots

That Girl in Yellow Boots is an English lanuage 2010 Indian thriller film directed by Anurag Kashyap and co-written by Kalki Koechlin. It stars Kalki Koechlin, Naseeruddin Shah and Gulshan Devaiya. The film tells the story of Ruth, a British expat, who has come to India to find her estranged dad. In her search she inhabits the bars, clubs and brothels of those who reject the mainstream values of a modernising India

Tristram Shandy (A Cock and Bull Story 2005)

A Cock and Bull Story is a 2005 British comedy film directed by Michael Winterbottom. It is a film-within-a-film, featuring Steve Coogan and Rob Brydon playing themselves as egotistical actors during the making of a screen adaptation of Laurence Sterne's 18th-century metafictional novel Tristram Shandy. Gillian Anderson and Keeley Hawes also play themselves in addition to their Tristram Shandy roles. Since the book is about a man attempting but failing to write his autobiography, the film takes the form of being about failing to make the film.

Juliet of the Spirits

In 1964, when LSD was still legal in Italy, Federico Fellini underwent a single guided session under the supervision of psychoanalyst Emilio Servadio.

He later said it shaped his classic film, Juliet of the Spirits.

Juliet of the Spirits (Italian: Giulietta degli spiriti) is a 1965 fantasy comedy-drama film directed by Federico Fellini and starring Giulietta Masina, Sandra Milo, Mario Pisu, Valentina Cortese, and Valeska Gert. The film is about the visions, memories, and mysticism that help a middle-aged woman find the strength to leave her philandering husband. The film uses "caricatural types and dream situations to represent a psychic landscape".[2] It was Fellini's first feature-length color film, but followed his use of color in "The Temptation of Doctor Antonio"

Birds, Orphans 𝑎𝑛𝑑 Fools [𝟏𝟗𝟔𝟗]

Birds, Orphans and Fools (Slovak: Vtáčkovia, siroty a blázni) is a 1969 Czechoslovak fantasy film directed by Juraj Jakubisko. The film is about three people who are all orphaned by political violence. In an unspecified time and place, these three characters face a tough, violent world and survive by adopting a childlike philosophy of life and live a life of foolish, joyful denial.

The film released in 1969 and was shown that year at an international film festival in Sorrento, Italy. Soon after, though, it was banned by the communist authorities until the end of the regime in 1989.

Medea (1969) (English Subtitles)

Medea is a 1969 Italian film written and directed by Pier Paolo Pasolini, based on the ancient myth of Medea. The film stars opera singer Maria Callas in her only film role and is largely a faithful portrayal of the myth of Jason and the Argonauts and the events of Euripides' play Medea.

The film was received positively by critics but did not receive commercial success. According to film commentator Tony Rayns the film represents a committedly adversarial piece of art from the director who loved to challenge society. Rayns calls the film "a love song to Maria Callas" and describes the ending as "backing him (Pasolini) into a cul-de-sac" for the dark ending of the film which almost seems like a resignation from cultural production. Indeed, Pasolini's dramatic and adverse personality is very much alive in this film which depicts Medea's murder of her children born of Jason and his betrothed.

Pastoral - To Die in the Country (1974)

Pastoral: To Die in the Country (Japanese: 田園に死す, Hepburn: Den-en ni shisu; lit. 'To Die in the Countryside'), also known as Pastoral Hide and Seek (French: Cache-cache pastoral), is a 1974 Japanese experimental surrealist film written and directed by Shūji Terayama. Adapted from Terayama's 1965 tanka poetry collection and a 1962 television drama he scripted—both sharing the film's Japanese title—the film stars Kantarō Suga, Hiroyuki Takano [ja], Kaoru Yachigusa, and Isao Kimura. Employing a film-within-a-film structure, it depicts an adult director (Suga)—a stand-in for Terayama—who encounters resistance from his younger self (Takano) as he attempts to complete a cinematic reimagining of his rural adolescence.

Fruit of Paradise (1970)

Fruit of Paradise (Czech: Ovoce stromů rajských jíme) is a 1970 Czechoslovak avant-garde drama film directed by Věra Chytilová. It was entered into the 1970 Cannes Film Festival. The film is an adaptation of the Adam and Eve story. This was Chytilová's last film before she was placed on an eight-year ban by the Czechoslovak Government. Fellow Czech screenwriter and costume designer Ester Krumbachová collaborated with Chytilová on the screenplay, costumes, and decor.

"Himiko" (卑弥呼) 1974

Himiko (Japanese: 卑弥呼) is a 1974 bizarre Japanese fantasy drama film directed by Masahiro Shinoda. It was entered into the 1974 Cannes Film Festival Feature Film Competition.

The story follows the myth of the Sun Goddess, Himiko, who is the earliest Japanese historical figure documented in Japanese, Chinese, and Korean history, although her existence, identity, and location have been the source of endless debate.

Nevertheless, the consensus talks about a queen-shaman who was ruling Yamatai, the Kingdom of the Sun before Japan became a specific, separate entity.

In the film, she is a shaman who speaks for the Sun God, being revered in the society she lives in but also constrained by the will of her people for her to be a sacred entity. As the story begins, she finds herself in the middle of political turmoil regarding the succession of King Ohkimi, who is actually the true decision-maker in the kingdom, despite Himiko's role.

Ohkimi plans to have Mimaki as his heir, but his younger brother, Ikume also wants the throne, while priest Nashime prefers Himiko to be the ruler.

The tension in the film escalates when Takehiko, Himiko's half brother, returns after his world travels. Himiko, the shaman, finds herself falling in love with him, adding a layer of emotional conflict to the narrative.

However, Takehiko seems to have feelings for Adahime, a woman who assists Himiko in her various rituals.

As the story unfolds, the antagonism between the Kingdom of the Sun, the Kingdom of the Land, and The Kingdom of the Mountains also reaches a boiling point, further heightening the emotional stakes.

Here is the full-length film with English subtitles

Breathless (1960)

A masterpiece of the French New Wave cinema. In many ways this film is the birth of European cool.

Breathless (French: À bout de souffle, 'Out of Breath') is a 1960 French New Wave film noir crime drama. written and directed by Jean-Luc Godard. It stars Jean-Paul Belmondo as a wandering criminal named Michel, and Jean Seberg as his American girlfriend Patricia. The film was Godard's first feature-length work and represented Belmondo's breakthrough as an actor.

Upon its initial release in France, the film attracted over two million viewers. It has since been considered one of the best films ever made, In May 2010, a fully restored version of the film was released in the United States to coincide with the film's 50th anniversary.-Wikipedia.

Fully restored version with English subtitles.

The Fisherman's Daughter - Tzarevna Scaling (2020)

A fishmonger's daughter drinks some tea rumoured to cure insomnia and enters into a hallucagenic fairy-tale world where she must complete a series of tasks to determine if she has what it takes to become a Tzarevna (the daughter of the Tzar). Click on the image above to be taken to the full film.

F for Fake Orson Welles (1973)

F for Fake (French: Vérités et mensonges, "Truths and lies") is a 1973 docudrama film co-written, directed by, and starring Orson Welles who worked on the film alongside François Reichenbach, Oja Kodar, and Gary Graver. Initially released in 1973, it focuses on Elmyr de Hory's recounting of his career as a professional art forger; de Hory's story serves as the backdrop for a meandering investigation of the natures of authorship and authenticity, as well as the basis of the value of art. Far from serving as a traditional documentary on de Hory, the film also incorporates Welles's companion Oja Kodar, hoax biographer Clifford Irving, and Orson Welles as himself. F for Fake is sometimes considered an example of a film essay.

In addition to the 88-minute film, in 1976, Welles also shot and edited a self-contained nine-minute short film as a "trailer", almost entirely composed of original material not found in the main film itself. Here is that trailer:

Magician: The Astonishing Life and Work of Orson Welles (2014)

Magician: The Astonishing Life and Work of Orson Welles looks at the remarkable genius of Orson Welles on the eve of his centenary - the enigma of his career as a Hollywood star, a Hollywood director (for some a Hollywood failure), and a crucially important independent filmmaker. Orson Welles's life was magical: a musical prodigy at age 10, a director of Shakespeare at 14, a painter at 16, a star of stage and radio at 20, romances with some of the most beautiful women in the world, including Rita Hayworth. His work was similarly extraordinary, most notably Citizen Kane, (considered by many to be the most important movie ever made), created by Welles when he was only 25. In the years following Citizen Kane, Welles's career continued to change as he made film after film (some never finished, many dismissed) and acted in other projects often to earn money in order to keep making his own films. Magician features scenes from almost every existing Welles film, from Hearts of Age, (which he made in a day when he was only 18 years old) to rarely-seen clips from his final unfinished works like The Other Side of the Dream, The Deep, and Don Quixote, as well as his television and commercial work

Day of the Triffids (1963)

After meteors enter Earth's atmosphere, blinding much of the planet's population in the process, plantlike creatures known as Triffids emerge from the craters and begin to take over. Military officer Bill Masen (Howard Keel), one of the few sighted people left alive, meets with other survivors in England and tries to find a safe haven from the vicious vegetation, as scientist Tom Goodwin (Kieron Moore) desperately seeks a way to defeat the leafy extraterrestrials.

Anita: Dances of Vice

Anita: Dances of Vice (German: Anita – Tänze des Lasters) is a 1987 German avant-garde film directed by Rosa von Praunheim. The film premiered at the 1987 New York Film Festival and was also shown at, for example, the 1988 São Paulo International Film Festival.

The film follows a delusional elderly woman who believes she is Anita Berber (1899-1928), a German dancer who, along with her partner Sebastian Droste, epitomizes the decadence of 1920s Berlin. Nude dance performances, cocaine use, and an excessive sex life characterize their lifestyle. Anita Berber's story is told through the thoughts and memories of the old lady (played by Lotti Huber) who is being held in an "insane asylum". Scenes from Anita's scandalous life are replayed also in her dreams.

Deep End (1970)

Deep End is a 1970 psychological comedy drama film directed by Jerzy Skolimowski and starring John Moulder-Brown, Jane Asher and Diana Dors. It was written by Skolimowski, Jerzy Gruza and Boleslaw Sulik. The film was an international co-production between West Germany and the United Kingdom. Set in London, the film centres on a 15-year-old boy who develops an infatuation with his older, beautiful colleague at a suburban bath house and swimming pool.

The film premiered at the Venice Film Festival on 1 September 1970. Deep End, considered a cult classic, went unreleased for many years due to rights issues. In 2011, it was given a digital restoration with the co-operation of the British Film Institute and was released in theatres and on home media.

Mike (John Moulder-Brown), a 15-year-old bathhouse worker, develops a crush on his older, attractive co-worker, Susan (Jane Asher). At first they help each other secure bigger tips by swapping their respective male and female clients. But their tidy business arrangement is severed when Mike discovers that Susan has not only shunned him, but is cheating on her fiancé with an older swim coach. As Mike begins stalking Susan in an effort to break them up, his innocent crush spirals into obsession.

The film features the song "Mother Sky" by Can in an extended sequence set in Soho, and "But I Might Die Tonight" by Cat Stevens in the opening scene and finale; the previously unreleased version heard in the film was eventually released in 2020 on a reissue of Stevens' album Tea for the Tillerman.

Deep End was one of David Lynch's favourite films.

"I don't like colour movies and I can hardly think about colour. It really cheapens things for me and there's never been a colour movie I've freaked out over except one, this thing called Deep End, which had really great art direction." - David Lynch

The Adventures of Buckaroo Banzai Across the 8th Dimension

The Adventures of Buckaroo Banzai Across the 8th Dimension is perhaps the most densely packed, aggressively weird movie to ever emerge from a major studio. It posits a hero who is a neurosurgeon, particle physicist, rock star, and comic book hero all at once. Peter Weller plays the titular character with a deadpan cool that holds the madness together. The film throws the audience into the middle of a complex mythology without a map, featuring a team of sidekicks called the "Hong Kong Cavaliers," an alien invasion by "Red Lectroids" from Planet 10 (all named John), and a plot involving a jet car driving through solid matter.

Despite flopping at the box office, it became a legendary cult classic because of its refusal to explain itself. It treats its absurd premise as absolute fact. The cast is a marvel of 80s talent, including Jeff Goldblum in a cowboy outfit, Christopher Lloyd as a manic alien, and John Lithgow giving a scenery-chewing performance as Dr. Emilio Lizardo. The film’s aesthetic and tone—particularly the end credits sequence where the cast walks in sync to the synth-pop theme—have influenced directors like Wes Anderson. It remains a litmus test for sci-fi fans: you either bounce off its chaotic energy, or you become a lifelong initiate of the Banzai Institute, quoting, "No matter where you go, there you are."

Brazil (1985) Full movie English

In a retro-future world, Sam Lowry, a clerk in the ministry department, is given the task to rectify an administrative error. However, in the process, he becomes an enemy of the state.

There is so much I could say about this film. It has shaped my life in some ways. This film is a work of genius.

Horror Hospital

Produced in 1973. Directed by Antony Balch. Starring Michael Gough, Robin Ask, Vanessa Shaw. A pair of friends on a british rail trip soon find themselves in a secluded mansion with a slew of bizarre characters and an even more bizarre secret.

Robin Askwith (just prior to his shift into a sex comedy franchise) is a stressed out singer with a pop group. He decides to go for some R&R at a country retreat. He hooks up with Vanessa Shaw on the train journey in, and once they arrive at the retreat they find it's a bizarro world inhabited by mute bikers, lobotomised robots, a malignant dwarf and a mad doctor (Michael Gough) in a wheelchair!