To summarise Lemmy Kilminster is a few words is impossible. So here are his. Rest easy Lem, you did good.
Wednesday, December 30, 2015
Friday, December 25, 2015
Dennis Hopper star in this 1976 Ozploitation production about the famous Australian bushranger Dan Morgan who roamed the gold fields in the 1860s. Directed by Philippe Mora. The movie was based on the book, 'Morgan - the Bold Bushranger', by Margaret Frances Carnegie. Mora wrote the script on a ship voyage from London to Melbourne in 1974. This was submitted to the Australian Film Development Corporation in early 1975 who agreed to support it. The budget was raised from the Australian Film Commission (what the AFDC turned into), Greater Union and private investment, including Mora's father Georges, Margaret Carnegie, tycoon Victor Smorgon and Lyn Williams, the wife of artist Fred Williams. Mora and producer Jeremy Thomas flew to Los Angeles to cast the lead role. Their first choice for the lead, Stacy Keach turned it down; Martin Sheen and Jason Miller expressed interest in playing Morgan but Mora decided to cast Dennis Hopper instead. Hopper's fee was $50,000.
The film used various locations where Dan Morgan had been active, in the eastern Riverina, including Billabong Creek, Culcairn and Jindera; as well as locations in Beechworth, north-east Victoria. Morgan's cave in the film was the actual cave Dan Morgan had used. Shooting started on 27 October 1975 and went for six weeks over 36 shooting days to 6 December. The shoot was challenged by rain during the first week but managed to be completed on schedule. Producer Jeremy Thomas later remembered his experience making the film:
We got Dennis Hopper somehow to be in it and I think there were something like 120 speaking parts and only $400,000 to make the film, which was very much in awe of Sam Peckinpah. We made a Western in Australia. And the film got selected for a side-bar event in Cannes; a film festival as usual came to my rescue. So I moved back to Europe having had the hands-on experience of making a film. The budget was made on a piece of paper, just page after page, and that is how the budget was constructed, never having made a film before, and a lot of the people who worked on the film were complete amateurs. I don’t know how it was completed or done because we were very irresponsible, but I think it is a very good way to start with a colleague or friend.Mora later wrote that he was "setting grotesque 19th-century human behaviour against an extraordinary landscape. I created Francis Bacon figures in a Sidney Nolan landscape, with stunts inspired by Jean Cocteau." The director says that Hopper was a handful during the making of the film, constantly imbibing drink and drugs. However he says the actor could be very professional, a skilful improviser and gave a performance which was "really extraordinary. I think he identified with the role." Mora recalled Hopper at the finish of the shoot:
Rode off in costume, poured a bottle of O.P. rum into the real Morgan's grave in front of my mother Mirka Mora, drank one himself, got arrested and deported the next day, with a blood-alcohol reading that said he should have been clinically dead, according to the judge studying his alcohol tests.Mora shot a scene where a young Ned Kelly looks at a waxwork of Morgan but decided not to use it. The making of Mad Dog Morgan was featured in Mark Hartley's 2008 documentary Not Quite Hollywood: The Wild, Untold Story of Ozploitation!, in which Thomas, Mora and Hopper are interviewed.
Wednesday, December 23, 2015
Tuesday, December 22, 2015
Beat is a 2000 American drama film written and directed by Gary Walkow, concerning the period of writer William S. Burroughs's life that he spent with his wife, the late Joan Vollmer, leading up to her accidental murder in 1951. The film stars Kiefer Sutherland as Burroughs, Courtney Love as Joan, Norman Reedus as Lucien Carr, and Ron Livingston as Allen Ginsberg.
The 'Other Half' is the word. The 'Other Half' is an organism. Word is an organism. The presence of the 'Other Half' is a separate organism attached to your nervous system on an air line of words can now be demonstrated experimentally. One of the most common 'hallucinations' of subject during sense withdrawal is the feeling of another body sprawled through the subject's body at an angle...yes quite an angle it is the 'Other Half' worked quite some years on a symbiotic basis. From symbiosis to parasitism is a short step. The word is now a virus. The flu virus may have once been a healthy lung cell. It is now a parasitic organism that invades and damages the central nervous system. Modern man has lost the option of silence. Try halting sub-vocal speech. Try to achieve even ten seconds of inner silence. You will encounter a resisting organism that forces you to talk. That organism is the word.
- The Ticket That Exploded (1962).
Monday, December 21, 2015
Presented in the Warlpiri language. This is a classic. A video about cars in the bush and how the locals get around and keep the wheels turning, no matter what happens. The Bush Mechanics form a rock band and their first paying gig is a half-day's drive away - now they just have to get there. None of them own a vehicle, so they resurrect a derelict car, load it up with band gear and hit the road. This episode follows the five Bush Mechanics as they bounce along rough bush tracks, encountering Jupurrula, the magic mechanic who helps them overcome their various car catastrophes with his bush ingenuity.
The Test Drive deals with the war perpetrated by highly determined reactionary forces on science and research. How does the government at once promote and prohibit scientific testing and undercut the importance of experimentation? To what extent is testing at the forefront of theoretical and practical concerns today? Addressed to those who are left stranded by speculative thinking and unhinged by cognitive discourse, The Test Drive points to a toxic residue of uninterrogated questions raised by Nietzsche, Husserl and Derrida. Ranging from the scientific probe to modalities of testing that include the limits of friendship or love, this work explores the crucial operations of an uncontestable legitimating machine. Avital Ronell offers a tour-de-force reading of legal, pharmaceutical, artistic, scientific, Zen, and historical grids that depend upon different types of testability, involving among other issues what it means to put oneself to the test.
Friday, December 18, 2015
Across Australia, the fear of ISIS-inspired violence has created a growing intolerance towards the nation’s Muslim community. It is fuelling a rise of ultra-nationalist groups determined to defend what they say is the Australian way of life.
But how representative is this hatred in a country known for its multiculturalism?
101 East meets those driving the hatred, and those fighting back against the abuse.
Thursday, December 17, 2015
Lennart Meri Conference 2015 Saturday, April 25 The Power of Narratives: An Unwinnable War over the Truth?
Speakers: Peter Pomerantsev, TV Producer and Author Jüri Luik, Estonian Ambassador to Russia Leon Aron, Director of Russian Studies, American Enterprise Institute Linas Linkevičius, Minister of Foreign Affairs of Lithuania Moderated by: Edward Lucas, Senior Vice-President, Center for European Policy Analysis (CEPA) More: http://lmc.icds.ee Organizer: International Centre for Defence and Security (http://www.icds.ee)
Monday, December 14, 2015
Prof. Gilroy delivered the lecture in Exeter in September. He is Professor of American and English Literature at King’s College London, having previously been Giddens Professor of Social Theory at the London School of Economics (2005-2012), Charlotte Marian Saden Professor of African American Studies and Sociology at Yale (1999-2005) and Professor of Cultural Studies and Sociology at Goldsmiths (1995-1999).
Prof. Gilroy’s research interests include postcolonial studies, particularly with regard to London, postimperial melancholia, and the emplotment of English victimage; the cultural politics of European decolonisation; African American intellectual and cultural history, literature and philosophy; the formation and reproduction of national identity, especially with regard to race and “identity”; and the literary and theoretical significance of port cities and pelagics. He has also published on art, music and social theory.
His many publications include “There Ain’t No Black in the Union Jack”: The Cultural Politics of Race and Nation (Unwin Hyman, 1987), The Black Atlantic: Modernity and Double Consciousness (Verso, 1993), After Empire: Melancholia or Convivial Culture? (Routledge, 2004) and Darker than Blue: On the Moral Economies of Black Atlantic Culture (2010, Harvard University Press).
The Antipode Foundation and Antipode‘s publisher Wiley sponsor sessions at the annual meetings of the Association of American Geographers (AAG) and Royal Geographical Society (with the Institute of British Geographers) (RGS-IBG). These annual international conferences are widely seen as vital venues for the exchange of cutting-edge ideas, and we invite presenters who represent both the political commitment and intellectual integrity that characterise a radical journal of geography.
Wednesday, December 09, 2015
Thelonious Monk - Straight, No Chaser - 1/5 by anonymthinker
A documentary about the life of bebop pianist and composer Thelonious Monk. Produced by Clint Eastwood, Bruce Ricker, and directed/co-produced by Charlotte Zwerin, it features live performances by Monk and his group, and posthumous interviews with friends and family. The film was created when a large amount of archived footage of Monk was found in the 1980s.