Wednesday, April 28, 2010

Phillip K. Dick Shares Thought

Part One

Part Two

Part Three

Interview from French Television 1977.

Tuesday, April 27, 2010

The Art Ensemble Of Chicago

Originally comprised of saxophonists Roscoe Mitchell and Joseph Jarman, trumpeter Lester Bowie, bassist Malachi Favors, and later, drummer Famoudou Don Moye, the Art Ensemble of Chicago enjoyed a critical reputation as the finest and most influential avant-garde jazz ensemble of the 1970s and '80s. Whether or not that reputation was wholly deserved is, in retrospect, subject to debate -- the World Saxophone Quartet and the Cecil Taylor Unit may well have been more influential. Nevertheless, the Art Ensemble was unquestionably a groundbreaking band. In the late '60s and early '70s, the Art Ensemble helped pioneer the fusion of jazz with European art music and indigenous African musics. It also fused jazz with itself; that is to say, the band combined elements of jazz history and pre-history -- for instance, music from the sanctified church services, minstrel shows, and bawdy houses of late 19th and early 20th century America -- with a modernist spirit of experimentation. A pronounced theatrical element was also essential to their work. Its members attained a measure of jazz stardom on their own -- particularly Bowie and, to a lesser extent, Mitchell -- but in the Art Ensemble, no single individual was greater than the whole. The band was an assortment of composers and improvisers of great individuality. Collectively, they created a compelling and unique entity. The group grew out of the Roscoe Mitchell Art Ensemble of the mid-'60s, which had in-turn grown out of Chicago pianist Muhal Richard Abrams' Experimental Band of the early-'60s. The latter was a rehearsal band, created for the purpose of playing scores written by many of the city's forward-thinking young African-American jazz composers. It attracted, among others, Mitchell, Jarman, and Favors. The two saxophonists had both served in the military, though not together; they met while students at Wilson Junior College. Favors had been an established member of the Chicago jazz scene since the '50s. All three were early members of the Association for the Advancement of Creative Musicians (AACM) a collective organized by Abrams and several like-minded fellow musicians. Lester Bowie moved to Chicago from St. Louis in 1966. Within days of arriving, he began rehearsing with Mitchell. In 1966, the Roscoe Mitchell Sextet (with Bowie and Favors) recorded Sound, the first album to come out of the AACM. In August 1967, Bowie recorded Numbers 1&2 for Delmark; on "2," the four musicians who would become the Art Ensemble recorded together for the first time. As the Roscoe Mitchell Art Ensemble, the band performed sans drummer for the next two years. In 1969 the band moved to Paris, where they met and hired "Sun Percussionist" Don Moye, who had come to Europe from Detroit with trumpeter Charles Moore's band. Renamed the Art Ensemble of Chicago, the group had a great deal of success in Europe, recording classic albums like Reese and the Smooth Ones (BYG) and People in Sorrow (Nessa). They moved back to Chicago in 1971; their 1972 homecoming concert was recorded and issued as Live at Mandel Hall (Delmark). The band's renown grew in the '70s. In 1978 they formed their own label, AECO, which released solo recordings by Jarman, Moye, and Favors. The group recorded for ECM in the late '70s and early '80s, making a series of critically acclaimed albums, including Nice Guys, Full Force, Urban Bushmen, and The Third Decade. The band won a series of critic's polls and was considered by many to be the finest jazz ensemble in the world. In the latter half of the '80s, a general decline in critical enthusiasm for the avant-garde resulted in less attention being paid to bands like the Art Ensemble. Side projects by individual band members also seem to have had an effect on the band's vitality. Still, it continued to exist, concertizing and recording through the '90s, occasionally with guests and supplementary musicians. Jarman left the band in 1993 in order to devote himself full-time to spiritual matters. The band continued as a quartet. Bowie was stricken with liver cancer; for the band's June 1999 concert at the Boston Globe Jazz and Blues Festival, he was replaced by saxophonist Ari Brown. Bowie died in November of 1999. For its first concert following Bowie's death, a January 2000 date at the New Jersey Performing Arts Center in Newark, the Art Ensemble performed as a trio. Although its remaining members were still capable of creating at a very high level, by the turn of the millennium the Art Ensemble's future seemed in doubt. ~ Chris Kelsey, All Music Guide

Monday, April 26, 2010


Buñuel - That Obscure Object of Desire

Buñuel - Fantasma da Liberdade

Saturday, April 17, 2010

Kieran Hebden and Steve Reid

kieran hebden & steve reid -brain

This is seriously good. Like some of the best I have heard this year. The irony is the drummer (Steve Reid) died a few days ago aged 66. The man had a gift. He played with Sun Ra and lots more. Never heard of him. I have some catching up to do.

kieran hebden & steve reid - mom's marmalade

kieran hebden & steve reid - left handed left minded

For some explanation check out this interview and concert.

Thursday, April 15, 2010

Table - Bed - Chair

Short documentary made by Australian TV about the squatting movement in Amsterdam in 2009. I was squatting for a year in Amsterdam in 1998

Sunday, April 11, 2010

The Gift

A film by Carl Erik Rinsch
Part of the Parallel Lines project from Philips Cinema and Ridley Scott Associates.
Five short films. Five genres. Five of RSA's hottest directors. One unifying piece of dialogue.
Were pushing the boundaries of cinematic viewing, giving you the chance to experience the spectacular Ambilight, picture and sound capabilities of Philips TVs for yourself.
There are millions of ways to tell a story.
There's only one way to watch one.

See more films and extra content at:

Friday, April 09, 2010

RIP Malcolm MClaren

The Great Rock n Roll Swindle (1980)
The Great Rock 'n' Roll Swindle (1980) is a mockumentary film directed by Julien Temple and produced by Don Boyd and Jeremy Thomas about the British punk rock band Sex Pistols.
Starring the remaining members of the group after their breakup in January 1978, guitarist Steve Jones plays a detective who - through a series of set piece acts - uncovers the truth about the band.
Drummer Paul Cook and bass guitarist Sid Vicious play smaller roles, and the band's manager, Malcolm McLaren, is featured as "The Embezzler", the man who manipulates the Sex Pistols. Fugitive train robber Ronnie Biggs, performer Edward Tudor-Pole, and actress Irene Handl also make appearances.

The former manager of the Sex Pistols and one of the seminal figures of the punk rock era, Malcolm McLaren, died Thursday, his son said. He was 64.

Joe Corre said his father died of an aggressive form of cancer in Switzerland, declining to give the exact location because he said he wanted to avoid a media scrum.

Music journalist Jon Savage, who wrote "England's Dreaming," a history of the Sex Pistols and punk, said that "without Malcolm McLaren there would not have been any British punk."

Friday, April 02, 2010

BBC Prog Rock Britannia

Part 1

Part 2

Part 3

Part 4

Part 5

Part 6

Part 7

Part 8

Part 9

Delia Derbyshire:

Einsturzende Neubauten 30 Years

Einsturzende Neubauten have been a unit for 30 years. For such we should be thankful.


Thursday, April 01, 2010

Fursaxa - Live at Psychotropic Zone

Part 1

Part 2

Fursaxa (Tara Bourke) Live at Psychotropic Zone, Stella Star Club, Helsinki, 25.9.2004

ALTERED STATES: Art of Zhang Huan 张洹

Zhang Huan (Chinese: 張洹, born 1965 in Anyang, Henan Province, China) is a Chinese artist based in Shanghai and New York. He made his BA at the He Nan University in Kai Fengin (1988) and his MA at the China Central Academy of Fine Arts in Beijing (1993). He is primarily a performance artist but also makes photographs and sculpture.