B-MOVIE: LUST & SOUND IN WEST BERLIN is a documentary about music, art and chaos in the Wild West Berlin of the 1980s. The walled-in city which became the creative melting pot for a special kind of sub and pop culture, attracting ingenious dilettantes and world famous celebrities alike. However, before the iron curtain would fall, artists and communards, squatters and hedonists of all kinds would enjoy Berlins unconventional lifestyle. It was not about long-term commercial success, but about living for the moment - the kick - the here and now. With mostly unreleased TV and film footage, photos and original interviews, B-MOVIE tells the story of life in the divided city, a cultural interzone in which everything and anything seemed possible in a place unlike anywhere else in Europe. It's a fast-paced collage of stories from a frenzied but creative decade, starting with punk and ending with the Love Parade, all from a city where the days are short and the nights are endless. This is a time when Berlin was like a B-MOVIE: Colourfully cheap and trashy, threatened and thrown together, anxious and ambitious, clubbed and caned, stoned and strung out, drunk, drugged and - just very special.
Click on the image above to be taken to the film.
„B-Movie“ ist eine Dokumentation über Musik, Kunst und Chaos im wilden West-Berlin der 80er Jahre. Bevor der eiserne Vorhang fiel, tummelten sich hier Künstler und Kommunarden, Hausbesetzer und Hedonisten.
Imagine 5000 people being taken across London by underground to a mystery location and then transforming a motorway into a sand pit, a dance floor, a forest. Imagine radical ecologists joining forces with sacked dockers and occupying Liverpool docks. Imagine Trafalgar Square metamorphosed into London's largest rave while under siege from 3000 unhappy riot police. Stop imagining and watc
h this film. YOU WILL BE INSPIRED.
May 1995, London, England. A small group of people decide to organise an illegal street party in Camden, a part of the city renowned for its consumerism and incessant traffic. The final location is kept secret, because they know that the state and business will not be amused. Reclaim the Streets! is born, a cocktail of raging love, revolutionary carnival, art and anarchy. Since then the clandestine street parties have erupted all over the world. From Hull to Sydney, Lyon to Tel Aviv, Vancouver to Valencia, people are taking back their streets. And this is only the beginning.
This film, a 2012 re-edit of the original, made from over a hundred hours of footage from 13 film-makers, and brought up to date with a recent expose of cop infiltration, tells the story of reclaim the Streets from its origins in London to the Global Street Party in May 1998 when 30 cities simultaneously joined in the fun.
'Ultimately it is in the streets that power must be dissolved: for the streets where daily life is endured, suffered and eroded, and where power is confronted and fought, must be turned into the domain where daily life is enjoyed, created and nourished.'
This documentary is about the history of the Amsterdam squatters between 1975 and 1988. 28 former activist tell the story of the movement which caused considerable turmoil in the Netherlands. The film is made by Joost Seelen and Eric Duivenvoorden. It was nominated for the Award for Best Feature-Length Documentary at the International Documentary Festival Amsterdam in 1996.
ADM was a squat in the Port of Amsterdam, to the west of the city next to the North Sea Canal. The squat lasted from 1997 until its eviction in early 2019. Around 130 people lived on the terrain of 45 hectares in buildings, on boats and in vehicles. Local Amsterdam television station AT5 produced a six part series on ADM called the Lost Free State (De Verloren Vrijstaat) in 2018. This the series combined into a single program with subtitles in English. Squatting never died!
The story centers on a young Canadian woman who lives in a politically active flat-sharing community in Kreuzberg Berlin and works in a squat bar whilst also singing in a rock band. Due to the new capital situation, occupied buildings suddenly become sought-after investments. The living and working situation of the musicians and other scene-people deteriorates massively. The band wants to draw attention to their situation with a street concert, so the apartment community hijacks the entire broadcasting van of a television station. The film was broadcast on TV on 23 March 1993 and was released on DVD a few years later. The film culminates in an act of broadcast signal intrusion. An authentic neighborhood portrait of Berlin at the time with an excellent soundtrack. The 'Rockhaus' squat of the film is actually the Køpi squat at 137 Köpenicker Straße in Mitte, that was first occupied in 1990 and continues today.
Køpi was squatted on 23 February 1990 by Autonomen from West Berlin . Despite the terrible state of the building, the squatters were attracted by the large rooms. The police did not attempt to evict the occupation, which marked the first time people from West Berlin had squatted in East Berlin. The squatters legalized their occupation with the district council of Mitte in 1991.
From the very beginning, Køpi was a radical left space where anarchists , socialists , queers and musicians were welcome. The building itself is covered in banners and graffiti. It became known as Køpi because the squatters chose to use the Danish ø despite the name coming from the name of the street (Köpenicker Straße). Køpi is also spelled Koepi, Köpi and even occasionally Kopi in English or Spanish texts. Køpi has become an important symbol for the radical left in Berlin, linked to projects elsewhere such as the Ungdomshuset in Copenhagen and Rozbrat in Poznań.
Ira Cohen, the poet, publisher and mystic, at the squatted village of Ruigoord outside Amsterdam in 1999.
Ira Cohen (February 3, 1935 – April 25, 2011) was an American poet, publisher, photographer and filmmaker. Cohen lived in Morocco and in New York City in the 1960s, he was in Kathmandu in the 1970s and traveled the world in the 1980s, before returning to New York, where he spent the rest of his life. Cohen died of kidney failure on April 25, 2011. Ira Cohen's literary archive now resides at the Beinecke Rare Book and Manuscript Library, Yale University.
In early 1964, Cohen visited Amsterdam (during the same trip up from Tangier when he arranged for the printing of Gnaoua in Antwerp, Belgium). He befriended writer Simon Vinkenoog, who would later translate many of Cohen's writings into Dutch. Ira was also in Amsterdam in 1974, having visited Paris and the filmmaker Alejandro Jodorowsky with an intention to involve his partner, Petra Vogt, in Jodorowsky's forthcoming film Dune. Unfavorably received, he traveled to Amsterdam, again in the company of Simon Vinkenoog, Louise Landes Levi - poet, musician & translator with whom he would later collaborate on many projects – and Gerard Bellaart (Cold Turkey Press - Rotterdam, publisher of Burroughs, Bailes, Pound et al.), who became Ira's first publisher in the West & a lifelong friend, as was Levi. However his most continuous Amsterdam period began in the spring of 1978. It was then that he met Caroline Gosselin, a French girl who was making and selling life masks at the Melkweg (Milky Way) multimedia center. She and Cohen expanded this into Bandaged Poets - a series of papier-mâché masks of dozens of well-known poets that he subsequently photographed. He also reconnected with Eddie Woods, whom he had first met in Kathmandu in 1976. Woods, who co-founded Ins & Outs Press with Jane Harvey, was preparing to launch Ins & Outs magazine. Cohen's work appeared in every issue and he regularly served as a contributing editor. He performed at the first of Benn Posset's long-running One World Poetry festivals, P78. Cohen (and Gosselin) lived in Amsterdam for the next three years; and even after leaving he made several return visits to the city, often staying for long spells. Ins & Outs Press, which had already published postcards of the Bandaged Poets series, produced three limited-edition Kirke Wilson silkscreen prints of the photographs, including those of William Burroughs and Allen Ginsberg. His film Kings with Straw Mats was also edited, in collaboration with Ira Landgarten, at Ins & Outs. In September 1993 Cohen returned to Amsterdam from New York to participate in a Benn Posset-organized tribute to Burroughs, along with Woods, the American writer William Levy, the German translator & publisher Udo Breger, and others.
Cohen further developed a close association with the artists colony village of Ruigoord (eight miles west of Amsterdam) and is one their very few non-Dutch trophy holders
Lefties is a three-part 2006 BBC documentary series investigating some aspects of the left of British politics in the 1970s. Lefties was produced and directed by Vanessa Engle. Lefties was produced as a companion series to Tory! Tory! Tory! an overview of the New Right and Thatcherism. It was commissioned by Janice Hadlow as part of her tenure at BBC Four under the belief that 'serious television' was vital in driving ideas.
This edition recalls Villa Road, a street in Brixton where squatters lived by their left-wing beliefs - communal living, collective action and an unswerving commitment to Marxist ideology.
Squatting is a film by Larissa Matteyssen which follows anarchists and activists, who occupy different empty buildings and territories - from rooms, houses and industrial buildings to complete villages and ports. Dutch and Russian activists are telling about their experiences of squatting and reactions of authorities to self-organisation. Anti-squatters explain why they are in side of the state.
Rome, Spring 2018. In recent months, repression towards social centers in Rome has increased. Now also the feminist social spaces and women's anti-violence centers are at risk of being evicted. In this documentary we follow the feminist struggles in Rome and the feminist movement ”Non una di meno” in defense of these social spaces. The Municipality of Rome, despite an increasing structural violence in Italian society, wants to close the self-organized women’s anti-violence centers. These are often the only psychological and material support for women who want to find a path out of violence. We meet activists from various parts of the city.
From "Lucha y Siesta" in Cinecittà to the "Centrodonna LISA" in Tufello to "International House of Women" in Trastevere. We follow the movement in the streets, from the demonstration in Campidoglio to the occupation at the Policlinico hospital and the global women’s strike of the 8th March 2018. As the movement “Non una di meno” says: “We won’t stop: hands off the women’s house, we will defend it with our struggle! You cannot evict the feminist city”.
