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Wednesday, March 31, 2021

John C. Lilly: Interview with Dr. Jeffrey Mishlove (1998) • We are the INTERMORPHS

Thinking Allowed Also emerging from the discursive cradle of the counterculture, John C. Lilly worked as a neuroscientist, focusing on interspecies communication, specifically dolphins, before expanding his intellectual scope to become a consciousness researcher. Much of his work on human-nonhuman communication would serve as the basis for his self-experiments over the course of the ’70s with a systematic mapping of states of consciousness.

Through a series of books—part documentation, part mysticism, part autobiography—Lilly would attempt to chart psychic topographies within “quantitative systems of mind-consciousness.” His methods were notorious, involving extreme dosages of psychoactive substances such as LSD, DMT, PCP, and ketamine, as well as his development of the sensory isolation tank. In fact, Lilly’s lab experiments were one of the inspirations for the 1980 science fiction horror film Altered States. Picking up on the argument proposed in the previous video, Lilly’s conclusions are decidedly cosmo-informatic: the human mind is a “biocomputer” which can, through meditative techniques and self-experimentation, be reprogrammed to its optimal operational capacity.

In many ways Lilly exhibits the merging of the “scientific” (objective) with the “mystical” (subjective) within the noopolitical turn, as the modern glorification of “scientific truth” finds itself reappropriated within the capitalist imagination as pseudo-scientific speculation. Of note in this interview is Lilly’s belief in ECCO—the Earth Coincidence Control Office—an extraterrestrial cosmic agency, “one of God’s field offices,” responsible for programming long-term coincidences (that is, history) on planet earth.

Arquilla and Ronfeldt (1999) developed the term Noopolitik as a political strategy focusing on the use, and denial thereof, of information. The term, reminiscent to Realpolitik, was informed to establish a policy, that of “Being in Athena’s camp”, in the sense that the practitioner of Noopolitik should belong to the side that handles, correlates and uses the maximal amount of information in a rather decentralised fashion. The emergence of Intellipedia, the crowdsourced intelligence database, is a textbook example of Noopolitik. What this conception of Noopolitik did not, however, is codify a more general geopolitics of knowledge, in which power would not be subserving knowledge, but rather knowledge subserving power. The development of such a paradigm is the purpose of this article. It is especially important to focus on knowledge since early Noopolitik almost only focused on information, which is of a lesser quality than knowledge. Knowledge is intrinsically less perishable than information, for example, and wisdom, which is self-knowledge, is not information. Besides, well-informed is not synonymous with sage; a state or an individual can be erudite but foolish, and to this early Noopolitik offers no particular cure.

Though Lilly always couches his ideas in the idiosyncratic language of his personal explorations, his conceptualization of ECCO has much in common with simulation theory in physics, as well as with arguments from critical theory, such as Jean Baudrillard’s notion of simulacra and the Real. Indeed, Lilly’s intentions are to stimulate transformative modes of embodiment, and yet when approaching his work from a contemporary perspective in which notions of self-realization and substance-consumption are standardized and commodified, a decidedly neoliberal, micropolitical agenda is revealed: molecular technologies of mind, materialized as chemical supplementation, can permanently reprogram consciousness, whilst the body finds itself increasingly pushed to its limits of disembodiment, in which information flows reassemble the traces of the flesh—its affects, its soul—into virtual data.

John was 83 when this interview happened. He died 3 years after in 2001. He took his body and mind to the absolute limits of spatiotemporal awareness countless times during his long life. It is therefore not surprising that he mumbles a bit in this interview. A full transcript of it is available here. 

Monday, March 29, 2021

Ilsa, She Wolf of the SS (1975)

Ilsa She Wolf Of The SS from MotuRoais on Vimeo.

Ilsa, She Wolf of the SS is a 1975 Canadian exploitation film about a sadistic and sexually-voracious Nazi prison camp commandant. The film is directed by American filmmaker Don Edmonds and produced by David F. Friedman for Cinépix Film Properties in Montreal. The film stars Dyanne Thorne in the titular role, who is loosely based on Ilse Koch, the wife of a real-life commandant at the Buchenwald concentration camp. Upon its release in early 1975, the film was immediately met with widespread controversy and critical derision, with Gene Siskel calling it "the most degenerate picture I have seen to play downtown". Particular criticism was directed at the film's graphic violence; which includes depictions of castration, flogging, human experimentation, and many other forms of torture. Word-of-mouth quickly spread, and the film was a considerable financial success, becoming a staple of grindhouse and drive-in theatres. The popularity of the film led to the creation of three sequels, each of which saw Thorne reprise her role. The film's infamy eventually evolved into a considerable cult following, with the character of Ilsa becoming a pop cultural icon ubiquitous with “strong, aggressive” female authority. The film is considered one of the prominent entries of the Nazisploitation sub-genre, and to a lesser degree the sexploitation sub-genre.

Sunday, March 21, 2021

Liquid Sky (1982)


Liquid Sky is not for the sensitive. 

“I kill with my cunt.” So says Margaret, a gender fluid Connecticut-bred WASP-turned New York fashion model caught in an unusual dilemma. Her predicament: aliens from outer space, who have come to Earth in search of poaching the pleasure effects of a heroin high, have perched on the roof of her grittily appointed penthouse. As it turns out, pheromones released via human orgasm are more potent. Margaret’s new neighbors are killing every sexual partner she takes. Anne Carlisle, a School of Visual Arts student and model who was hanging out at places like the Mudd Club, co-wrote the film and stars as Margaret—and, in a dual role twist, an androgynous junkie male model named Jimmy. 

Set against a psychedelic, orange-soaked cityscape, where the Empire State Building appears as a foreboding monolith, and with a cast of high-camp, dramatically attired downtown club kids, Liquid Sky is one of those rare, much-talked-about cult films that has become a treasured artifact of a certain time in New York, exhibited in late-night theatrical showings, passed around VHS tapes, and poorly done YouTube rips. Its premise is so seemingly random—and preposterous—that it works, dealing with the romantic mythology of doomed, ascending beauties, their vices, and their art. It’s something that could only happen in New York.
                                     A brief history of neon-soaked cult film Liquid Sky By Colleen Kelsey

Friday, March 19, 2021

Love Story - Arthur Lee and Love Documentary (2006)


Love Story is a feature length documentary recounting the story of the quintessential L.A. band Love and their singer Arthur Lee ("a psychedelic black man" according to the film and in my opinion a genius). The film includes rarely seen TV performances from 1966 and 1970 plus rare and unseen archive photographs. Love Story premiered at the 50th London Film Festival and features interviews with band members Arthur Lee (sadly his last ever interviews), Johnny Echols, Bryan Maclean, Alban "Snoopy" Pfisterer, Michael Stuart, John Fleckenstein and Robert Rozelle, as well as Elektra Records head Jac Holzman, producer Bruce Botnick, The Doors' John Densmore and arranger David Angel.

Wednesday, March 03, 2021

Tim Buckley - My Fleeting House


Tim Buckley: My Fleeting House is a DVD-Video collection of live appearances and performances by Tim Buckley. It features footage from throughout his career, starting from a 1967 performance of "Song to the Siren" on The Monkees TV show and ending with a performance from May 21, 1974 of "Dolphins" (written by fellow 1960s folk musician Fred Neil) for The Old Grey Whistle Test. Broadcasts from WITF-TV's The Show from 1970 has performances of "I Woke Up" and "Come Here Woman". The DVD also contains recorded interviews with occasional songwriting partner Larry Beckett, regular lead guitarist Lee Underwood and David Browne, author of Dream Brother: The Lives and Music of Jeff and Tim Buckley, a dual biography of Tim Buckley and his son Jeff Buckley.