Murray Siple's feature-length documentary follows a group of homeless men who have combined bottle picking with the extreme sport of racing shopping carts down the steep hills of North Vancouver. This subculture depicts street life as much more than the stereotypes portrayed in mainstream media. The film takes a deep look into the lives of the men who race carts, the adversity they face and the appeal of cart racing despite the risk. Shot in high-definition and featuring tracks from Black Mountain, Ladyhawk, Vetiver, Bison, and Alan Boyd of Little Sparta.
Tuesday, June 24, 2025
Carts of Darkness
Murray Siple's feature-length documentary follows a group of homeless men who have combined bottle picking with the extreme sport of racing shopping carts down the steep hills of North Vancouver. This subculture depicts street life as much more than the stereotypes portrayed in mainstream media. The film takes a deep look into the lives of the men who race carts, the adversity they face and the appeal of cart racing despite the risk. Shot in high-definition and featuring tracks from Black Mountain, Ladyhawk, Vetiver, Bison, and Alan Boyd of Little Sparta.
Sunday, January 07, 2024
Unsettled: From Tinker to Traveller
Thursday, September 01, 2022
Earthdream 2000
Saturday, May 01, 2021
Life With Nomads (Kate Humble Documentary Series)
The first in a series of three documentaries (all featured here) where British journalist Kate Humble lives with different nomadic groups still practicing their traditional life. In this first episode Kate lives with the Mongolian nomads from the secluded Hugh land steppe, where she will learn about the challenges faced by these ancient nomadic tribes.
Kate Humble and a camera crew enter the rugged and nomadic life of the Nepalese Raute people, roaming the altitudes of Nepal's mountains. They are not immediately welcomed into the tribe but as Kate proves helpful in moving the camp and as a contributing part of the workforce, she is able to get closer to the tribe - and by that closer to an understanding of the Raute people's way of life, including the challenges and possible new lessons for Kate to learn.
In Afghanistan, Kate Humble meets traditional shepherds in the remote Wakhan Corridor.
A nomad (late 16th century: from French nomade, via Latin from Greek nomas, nomad- ‘roaming in search of pasture’, from the base of nemein ‘to pasture’) is a member of a community without fixed habitation which regularly moves to and from the same areas. Such groups include hunter-gatherers, pastoral nomads (owning livestock), and tinkers or trader nomads. In the twentieth century, population of nomadic pastoral tribes slowly decreased, reaching to an estimated 30–40 million nomads in the world as of 1995.
Nomadic hunting and gathering—following seasonally available wild plants and game—is by far the oldest human subsistence method. Pastoralists raise herds, driving or accompanying in patterns that normally avoid depleting pastures beyond their ability to recover.
Nomadism is also a lifestyle adapted to infertile regions such as steppe, tundra, or ice and sand, where mobility is the most efficient strategy for exploiting scarce resources. For example, many groups living in the tundra are reindeer herders and are semi-extra nomadic, following forage for their animals.
Sometimes also described as "nomadic" are the various itinerant populations who move among densely populated areas to offer specialized services (crafts or trades) to their residents—external consultants, for example. These groups are known as "peripatetic nomads".
Tuesday, December 15, 2020
Vali's World (1984)
Saturday, December 22, 2018
The Oblivion Seeker - Isabelle Eberhardt
Civilization, that great fraud of our times, has promised man that by complicating his existence it would multiply his pleasures. ... Civilization has promised man freedom, at the cost of giving up everything dear to him, which it arrogantly treated as lies and fantasies. ... Hour by hour needs increase and are nearly always unsatisfied, peopling the earth with discontented rebels. The superfluous has become a necessity and luxuries indispensable. - Isabelle Eberhardt
Actress Juliet Stevenson retraces the journeys of turn-of-the-century traveler and writer Isabelle Eberhardt. BBC, 1994.
Isabelle Wilhelmine Marie Eberhardt (17 February 1877 – 21 October 1904) was a Swiss explorer and author. As a teenager, Eberhardt, educated in Switzerland by her father, published short stories under a male pseudonym. She became interested in North Africa, and was considered a proficient writer on the subject despite learning about the region only through correspondence. After an invitation from photographer Louis David, Eberhardt moved to Algeria in May 1897. She dressed as a man and converted to Islam, eventually adopting the name Si Mahmoud Saadi. Eberhardt's unorthodox behaviour made her an outcast among European settlers in Algeria and the French administration.
Eberhardt's acceptance by the Qadiriyya, an Islamic order, convinced the French administration that she was a spy or an agitator. She survived an assassination attempt shortly thereafter. In 1901, the French administration ordered her to leave Algeria, but she was allowed to return the following year after marrying her partner, the Algerian soldier Slimane Ehnni. Following her return, Eberhardt wrote for a newspaper published by Victor Barrucand and worked for General Hubert Lyautey. In 1904, at the age of 27, she was killed by a flash flood in Aïn Séfra.
Isabelle was a journalist and war correspondent. Her disguise helped her to penetrate the peoples of the Sahara to get to know their customs. In Aïn Sefra she met Lyautey, a general charged with the task of reestablishing order on the border between Algeria and Morocco. With him, Isabelle was able to enter the camps and observe the conflicts first-hand. Not only did she disguise herself as a man, she also observed military discipline and was treated the same way as the other soldiers. In 1904 Isabelle she met up with her husband in Aïn Sefra and in a flash flood their clay house collapsed on top of them. “I know that this way of life is dangerous, but the moment of danger is also the moment of hope,” she wrote. She published many articles during her lifetime, and after her death her diaries and fiction were published.
Yasmina et Autres Nouvelles by Isabelle Eberhardt translated by Ahcene Douas
Isabelle Eberhardt: Portrait of the Artist as a Young Nomad by HEDI ABDEL-JAOUAD
Feminize Your Canon: Isabelle Eberhardt at The Paris Review
Tuesday, May 25, 2010
Urga / Close to Eden (1991)
The Mongolian shepherd Gombo lives in a yurt in Inner Mongolia with his wife, three children, and mother. They are content with their uncomplicated rural lives but Gombo wants to go on having sex with his wife, while she refuses herself in fear of bearing a fourth child, which is against the Chinese law. A Russian truck driver named Sergei is stranded nearby, and finds his way to their house, where he and Gombo become friends despite their language and cultural differences.
Gombo and Sergei go into the nearest city together, where Gombo is supposed to buy contraceptives (condoms). Instead he buys a television set and other such goods, then attempts to buy contraceptives, but decides not to when he realizes everyone at the drugstore is a woman. Sergei, a former army bandsman, sings "Hills of Manchuria" in a nightclub, as the band plays from the sheet music tattooed on his back. He is arrested and then bailed out of jail by Gombo.
Gombo returns home, and along the way stops and takes a nap. He has a strange dream featuring his drunken, horse riding relative as Genghis Khan and his wife as Ghenghis Khan's wife. In the dream both he and Sergei are captured and killed. Gombo wakes and arrives home, with the television, and he and his family watch alternately the President of America speaking and a badly sung variety show. Gombo and his wife go into the fields, bringing the Urga (a long stick with a lasso on the end used to capture animals) which is then stuck into the ground far away in the prairie, a signal that a couple is being intimate. A voice over from Gombo's fourth son concludes the film with the image of a chimney belching smoke into the air in the place where Gombo's Urga was once placed.


