Medea is a 1969 Italian film written and directed by Pier Paolo Pasolini, based on the ancient myth of Medea. The film stars opera singer Maria Callas in her only film role and is largely a faithful portrayal of the myth of Jason and the Argonauts and the events of Euripides' play Medea.
The film was received positively by critics but did not receive commercial success. According to film commentator Tony Rayns the film represents a committedly adversarial piece of art from the director who loved to challenge society. Rayns calls the film "a love song to Maria Callas" and describes the ending as "backing him (Pasolini) into a cul-de-sac" for the dark ending of the film which almost seems like a resignation from cultural production. Indeed, Pasolini's dramatic and adverse personality is very much alive in this film which depicts Medea's murder of her children born of Jason and his betrothed.
The Secret of Roan Inish is a 1994 independent fantasy-adventure film written and directed by John Sayles. It is based on the 1957 novel Secret of the Ron Mor Skerry, by Rosalie K. Fry.
It is centered on the Irish and Orcadian folklores of selkies—seals that can shed their skins to become human. The story, set on the west coast of Ulster in the north-west of Ireland, is about Fiona, a young girl who is sent to live with her grandparents and her cousin Eamon near the island of Roan Inish, where the selkies are rumored to reside. It is a family legend that her younger brother was swept away in his infancy and raised by a selkie. Part of the film takes place in Donegal Town.
The Golem: How He Came into the World (German: Der Golem, wie er in die Welt kam, also referred to as Der Golem) is a 1920 silent horror film and a leading example of early German Expressionism. Paul Wegener starred as the titular creature, as well as co-directing the film with Carl Boese and co-writing the script with Henrik Galeen based on Gustav Meyrink's 1915 novel. Photographer Karl Freund went on to work on the 1930s classic Universal horror films years later in Hollywood. This was the third of three films that Wegener made featuring the golem, the other two being The Golem (1915) and the short comedy The Golem and the Dancing Girl (1917), in which Wegener dons the golem make-up in order to frighten a young lady with whom he is infatuated. The Golem: How He Came into the World is a prequel to The Golem from 1915 and as the only one of the three films that has not been lost, is the best known of the series.
Set in the Jewish ghetto of medieval Prague, the film begins with Rabbi Loew, the head of the city's Jewish community, reading the stars. Loew predicts disaster for his people and brings his assistant to inform the elders of the community. The next day the Holy Roman Emperor signs a royal decree declaring that the Jews must leave the city before the new moon. The Emperor sends the knight Florian to deliver the decree. Loew meanwhile begins to devise a way of defending the Jews.
Upon arriving at the ghetto, the arrogant Florian falls in love with Miriam, Loew's daughter, for whom his assistant shares affection. Loew talks Florian into reminding the Emperor that it is he who predicts disasters and tells the horoscopes of the Emperor, and requests an audience with him. Having courted with Miriam, Florian leaves. By praying with God first, Loew begins to create the Golem, a huge monster which he will bring to life out of clay to defend his people. Florian returns later with a request from the Emperor for Loew to attend the Rose Festival at the palace. He shares a romantic moment with Miriam while Loew reveals to his assistant that he has secretly created the Golem, and requires his assistance to animate it. In an elaborate magical procedure, Loew and the assistant summon the spirit Astaroth and compel him, as per the ancient texts, to say the magic word to bring life. This word is written on paper by Loew which is then enclosed in an amulet and inserted onto the Golem's chest. The Golem awakes. Loew's assistant then tames the Golem, and the Rabbi uses it as a household servant.
