On the evening of February 19th, 1992 Dispatches featured a special episode about Satanic ritual abuse. Days later, newspapers reported that the video was misrepresented. The clips of the alleged abuse were drawn from First Transmissions (1982), an experimental video produced by Thee Temple ov Psychick Youth (T.O.P.Y.) a geographically disperse occult collective committed to subverting mainstream media.
Presented by journalist Andrew Boyd, the Dispatches show promised to present, for the first time, the programmed claimed unequivocal evidence of Satanic abuse and ritual murder having been carried out in Britain. The show featured the testimony of an alleged survivor of Satanic abuse, 'Jennifer', and had been trailed heavily with reports in the broadsheet newspapers in the days leading up to broadcast. In particular, the show was able to shockingly broadcast clips of a tape that the British police had seized a decade earlier which, the programme makers claimed, was a home-video recording of a Satanic ritual killing. Over a hundred people called a helpline number advertised after the show ended.
Far from being a Satanic snuff movie, the video was quickly determined after broadcast to be performance art video by TOPY, an offshoot of a group of musicians and performers including Genesis P. Orridge's Throbbing Gristle and Psychick TV. Most shockingly of all, First Transmission had itself been funded by Channel 4.
The show was denounced in the media over the following days and weeks as a grotesque lapse of journalistic integrity. The programme stands as a particular testament to a moment in British social, cultural and criminal history at the height of the so-called 'Satanic Panic' which swept the USA as well as the UK in the 1980s. There is an extensive interdisciplinary literature on the programme and its associated impacts and phenomena, from historians, art historians, criminologists, psychologists and others. The overwhelming majority of commentary on Beyond Belief is critical of the programme.
A transcript of the broadcast has been shared online and there is considerable information about the programme to be found. The show itself, though, has never been repeated, and has never been made available online in full. The show has also proven difficult to access by professional researchers in archive holdings at Channel 4, or at the production company, Looktwice.
In November 2020, YouTube user 'RileyELFuk' made a 37 minute version of the show available on their channel which runs to the final credits. About 8 minutes of the 45 minute broadcast time (10:30pm - 11:15pm) are thus still missing. Comparing this upload with the transcript suggests that much of this time would have been taken up by advertisements before the show started, as only one page of the transcript, featuring the programme's introduction, are clipped from the film.
The role of computerised media in this program is interesting. It came out right at the cusp between the earlier cultural networks of mail and radio, clubs and cellars (to reference the site of satanic abuse) and the rise of the internet, where much of this culture exists today. Terrorism is even named as a source for the satanic abuse, in how its 'survivors' manifest PTSD. Computers feature in many of the interviews, often as a backdrop to interviewees appearing as 'experts' (never for the 'victims'). At the same time the psychological explanations for how 'victims' are effected by the 'abuse' is spoken of in terms of 'imprint', 'programming', 'memory', 'information' and so on. The allegations never come to any concrete point, with names of perpetrators, or even victims, apart from the anonymous 'witnesses' speaking on camera (considering one of the few 'witnesses' Jennifer, states in the programme she murdered her own child in a ritual sacrifice, it would not have been so difficult to check up on this). The visual media depicting the 'abuse' is seen as both evidence and the corrupting material that causes the apparent abuse. However, no origin of the material is even really established. Since it was colaged performance art, mostly featuring actors, this is understandable.
This program and what it represents is important because it shows us a time when many of the present-day folk devils and moral panics were finding their form, if not their content. Attempts to police this sort of media are still underway.
The entire collection of the First Transmission videos is available here
(First Transmission was a collection of video tapes that were made available through Psychic TV's mail order system in the early 80s. Fans of the band had to own all of the albums in order to qualify to be given the videos as a gift. Psychic TV and TOPY were a kind of cultural and cult pyramid scheme).
The transcript from the Dispatches programme is available here in two parts: https://arsoninformer.files.wordpress.com/2019/02/1992-feb-19th-dispatches-program-beyond-belief-script-part-1.pdf
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