Arise! - The Church of Subgenius

A brain-crushing collage of music and video presented in the form of a religious recruitment video. The topics covered (in deadpan narration) are basic psychology, the origin of the human race, spiritualism, religious dogma, UFO's, the end of the world, and the group's figurehead, J.R. "Bob" Dobbs.

The Church of the SubGenius is a parody religion that satirizes better-known belief systems. It teaches a complex philosophy that focuses on J. R. "Bob" Dobbs, purportedly a salesman from the 1950s, who is revered as a prophet by the Church. SubGenius leaders have developed detailed narratives about Dobbs and his relationship to various gods and conspiracies. Their central deity, Jehovah 1, is accompanied by other gods drawn from ancient myth and popular fiction. SubGenius literature describes a grand conspiracy that seeks to brainwash the world and oppress Dobbs's followers. In its narratives, the Church presents a blend of cultural references in an elaborate remix of the sources.

Ivan Stang, who co-founded the Church in the 1970s, serves as its leader and publicist. He has imitated actions of other religious leaders, using the tactic of culture jamming in an attempt to parody better-known faiths. Church leaders instruct their followers to avoid mainstream commercialism and the belief in absolute truths. The group holds that the quality of "Slack" is of utmost importance, but it is never clearly defined. The number of followers is unknown, although the Church's message has been welcomed by college students and artists in the United States. The group is often compared to Discordianism. Journalists often consider the Church an elaborate joke, but some academics have defended it as a real system of deeply held beliefs.

Oils on the Water (1985)

Here's the entire Oils on the Water concert from Goat Island in Sydney Harbour from 1985. I was 16 when this was broadcast. I had been listening to Midnight Oil for over a year. I had been introduced to them by a girl I had a brief thing with, and we went on to become lifelong friends (its been over 40 years now anyway). Midnight Oil changed reality for me. Prior to hearing their music I was a good little colonial boy. When I was 12 I wrote a 10 page essay on Winston Churchill, from an admiration. When I was 15 I won a school writing prize for a story about nuclear war being conducted like a cricket match. That change was largely due to the 1982 Midnight Oil album 10,9,8,7,6,5,4,3,2,1. Songs like US Forces taught a generation of Australians about the history of their nation that was not being taught in school. I was told in school that Aboriginal Australians were an "evolutionary dead end" and they would die out. It was only a matter of time. My discovery of Midnight Oil was the beginning of my awareness. It was shown on national television and broadcast in stereo simulcast on Radio JJJ - it was the 10th birthday for the station. Enjoy and think of Rob Hirst the drummer who died yesterday.

The Mindscape of Alan Moore (2003)

"Escape the limitations of your origins" - Alan Moore
The Mindscape of Alan Moore is a psychedelic journey into one of the world’s most powerful minds; chronicling the life and work of Alan Moore, author of several acclaimed graphic novels, including “From Hell,” “Watchmen” and “V for Vendetta.” It is the only feature film production on which Alan Moore has collaborated, with permission to use his work. Alan Moore presents the story of his development as an artist, starting with his childhood and working through to his comics career and impact on that medium, anarchism, and his emerging interest in magic.

Be Here To Love Me - A Film About Townes Van Zandt (2004)

Directed by Margaret Brown, Be Here To Love Me chronicles the often turbulent life of American singer-songwriter Townes Van Zandt. The film includes interviews of Van Zandt's immediate family and contemporaries such as Willie Nelson, Kris Kristofferson, Emmylou Harris, Lyle Lovett, Steve Earle and Guy Clark, along with "home movies, old TV performances and, especially, mid-Seventies footage originally filmed by James Szalapski for his outlaw country documentary Heartworn Highways.

Anita: Dances of Vice

Anita: Dances of Vice (German: Anita – Tänze des Lasters) is a 1987 German avant-garde film directed by Rosa von Praunheim. The film premiered at the 1987 New York Film Festival and was also shown at, for example, the 1988 São Paulo International Film Festival.

The film follows a delusional elderly woman who believes she is Anita Berber (1899-1928), a German dancer who, along with her partner Sebastian Droste, epitomizes the decadence of 1920s Berlin. Nude dance performances, cocaine use, and an excessive sex life characterize their lifestyle. Anita Berber's story is told through the thoughts and memories of the old lady (played by Lotti Huber) who is being held in an "insane asylum". Scenes from Anita's scandalous life are replayed also in her dreams.