Otto Rahn - The Secret Glory

The complex story of Otto Rahn (18 February 1904 – 13 March 1939), who grew up amidst the ruins of Germany following its defeat in World War One. His parents awoke an interest in nature, myth and legend in him. At the time in Europe, the narratives of Christianity were being challenged and changed. He took up the legend of the Holy Grail and the heretical Christian sects that lasted up until the Inquisition from the 12th to the 15th centuries. The nature cults of the early 20th century that developed in northern Europe also no doubt fed into his thinking. Rahn wrote books about the Grail and the Cathars, one of the last mass manifestations of Gnosticism in Europe.

It seems Rahn was an outsider queer poet who was given a blank cheque by the Nazis to do his research. Of course, the Nazis wanted a particular result from the research; Aryan primacy and the negation of the dominant Christian morality. Himmler was vehemently opposed to Christian sexual morality and the "principle of Christian mercy", both of which he saw as dangerous obstacles to his planned battle with "subhumans". Rahn's work proved to be more complex and ephemeral than that. Rahn was also expected to participate in the theatre of horror that was developed by the Nazis. Rahn was a poet who dwelt in myth, a product of people like James Frazer and Robert Graves (who's book The White Goddess would not be published until 1948). But at the same time Rahn was within the inner circle of the SS, he participated in the establishment of the vast death machine that is now called the Holocaust and in the Nazi eugenics breeding program. But his mother was Jewish.

Rahn's homosexuality had been known to Himmler but, in 1937, it became the subject of difficulties with other SS officers, who had long contrasted their conduct with the open homosexuality common in Ernst Röhm's Sturmabteilung. Following a "drunken homosexual scrape", Rahn was assigned guard duty at the Dachau concentration camp in order to "toughen him up".

Deeply concerned by what he had witnessed in Dachau, Rahn offered his resignation from the SS in February 1939. This was accepted by Himmler. On 13 March, Rahn's body was found by local children in the forest near Söll (Kufstein, Tyrol), in Austria. Sixty years later, in an interview, one of those who found Rahn's body described finding "two empty bottles" next to it. He had frozen to death while under the influence of the sleeping pills. Rahn's death was privately ruled a suicide but was presented by Himmler to the SS as having occurred following a "mountaineering accident".

The film is made by Richard Stanley, a South African filmmaker, known for his work in the horror genre. He began his career making short films and music videos, and subsequently directed the feature films Hardware (1990) and Dust Devil (1992), both of which are considered cult classics. He was the original director of The Island of Dr. Moreau (1996), but was fired early into principal photography due to creative differences, an episode recounted in the 2014 documentary Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau. In 2019, he returned to feature films after more than 20 years, directing the H. P. Lovecraft adaptation Color Out of Space.

Simon of the Desert (1965) - Luis Buñuel

 

Simon, a deeply religious man living in the 4th century, wants to be nearer to God so he climbs a column. The Devil wants him to come down to Earth and is trying to seduce him.

Turkey Shoot (1982)

Turkey Shoot is a 1982 Australian dystopian future movie where ordinary people are thrown into camps and hunted by the rich.

In the near future, after an unspecified holocaust, survivors are herded into prison camps. There, they are hunted for sport by the leaders of the camp. Paul, one of the newest prisoners, is determined not to go down as quietly as the others. 

 Cast: Steve Railsback, Olivia Hussey, Michael Craig 

Director: Brian Trenchard-Smith

The film features rape, cannibalism, torture, gun violence, mutilation and some pretty bad acting. Filmed on location near Cairns, Turkey Shoot underwent a troubled production as a result of a budgetary shortfall that reduced the shooting schedule; this also necessitated multiple scenes being rewritten or cut entirely, extensive simultaneous second unit photography directed by executive producer David Hemmings, and use of stock footage during post-production.

Widely considered to be a seminal example of the Ozploitation cycle, the film is notable for its extreme depictions of graphic violence and sadism; Time Out declared that the film "makes modern day grindhouse imitations such as Machete and Planet Terror seem like anaemic shadows in comparison". Despite receiving negative reviews from such Australian critics as David Stratton and Phillip Adams, Turkey Shoot is recognised as a cult film

Bob Marley: The Lost Tapes

This is a collection of long television interviews done with Bob Marley between 1974 and 1978. The man with the mostache and Australian accent is George Negus, a legend of Australian TV. I remember when this was shown on '60 Minutes' and the scandal that was associated with Bob Marley, when he was treated like a wild man in Australian media. Bob Marley and the Wailers toured Australia in 1979 and they had a big impact on the Aboriginal people, with their songs of freedom.

Bob talks about his ideas and philosophy. He shows himself to be a profound thinker. He is humble, wise and funny.

Bob Marley is one of the most influential men in music. Born on a farm in Saint Ann Parish Jamaica, he committed his life to the freedom of people all around the world. To date he has sold over 75 million albums worldwide, making him one of the worlds best-selling artists of all time. In this riveting documentary, packed with unreleased interviews, we explore the revolutionary ideologies of the legend Bob Marley.

DECLASSIFIED The Mutoid Waste Files - 1989 - 1994

DECLASSIFIED: THE MUTOID WASTE FILES The Mutoid Waste Company 1989 - 1994 D 1989/2015 Duration: 91′ Director: Uli Happe Camera: Uli Happe Editor: Uli Happe & Bernd Böhlendorf Producer: Uli Happe Music: Mutoid Waste Company, 7 Kevins, Spiral Tribe, DNTT.

The Mutoid Waste Co. are a group of sculptors, musicians, performance and multidisciplinary artists. As the group’s name suggests, they mutate waste, which then sets as the background for their installations, performances, parties and events. With the use of all types of scrap as their raw material, from industrial to domestic and from huge derelict military machines to small everyday items, they have created a new form of art crossing boundaries of sculpture, mechanical-art, performance, theater and music. Founded in 1984 by the London artists Joe Rush and Robin Cooke, the Mutoids had a significant impact everywhere they worked and performed, from legendary London warehouse raves to the ‘Car Henge’ sculpture in Glastonbury 1987. They went on world tour in 1989 and have been mostly a mobile crew since, traveling and leaving their unmistakable mark around the world, including London, Berlin, Paris, Barcelona, Italy, Japan, Australia and more. Being so visually unique, the Mutoids have attracted many photographers and film makers who tried to capture the Mutoid experience on film. None was allowed a deeper entry to their world than the Berlin film maker Uli Happe, whose film shows the most intimate and most spectacular moments of these adventurous times

The Camera That Changed the World (2011)

The summer of 1960 was a critical moment in the history of film, when the fly-on-the-wall documentary was born. The Camera that Changed the World tells the story of the filmmakers and ingenious engineers who led this revolution by building the first hand-held cameras that followed real life as it happened. By amazing co-incidence, there were two separate groups of them - one on each side of the Atlantic.

In the US, the pioneers used their new camera to make Primary, a compelling portrait of American politics. They followed a then little known John F Kennedy as he began his long campaign for the presidency. Meanwhile, in France, another new camera was inspiring an influential experiment in documentary filmmaking. Chronique d'un Ete captures the real lives of ordinary Parisians across the summer of 1960.

Both these extraordinary films smashed existing conventions as handheld cameras followed the action across public spheres into intimate and previously hidden worlds.

The cinema of today owes so much to these film makers and technicians. This was the audiovisual revolution that made the 1960s and 70s what they were.

Psychomania

Psychomania (U.S. title:The Death Wheelers) is a 1973 British outlaw biker horror film directed by Don Sharp, and starring Nicky Henson, Beryl Reid, George Sanders (in his final film), and Robert Hardy.

The plot follows the adolescent leader of a biker gang, who has started practicing black magic. After meeting the Frog God, which his mother worships, the leader commits suicide on his 18th birthday. His mother resurrects him as one of the undead, and the process grants superhuman abilities to the boy. He proceeds to turn most of his gang into fellow undead, but his mother petrifies them all in a magic ritual.

The Land Speaks Arabic

The Land Speaks Arabic. A Film by Maryse Gargour

Reviewed by Prof. Mazin Qumsiyeh:

'La Terre Parle Arab' (2007). Director Maryse Gargour. Arabic, French, English audio with English subtitles, 61 minutes. Winner of several European awards (ASBU, Prix France 3 Medirerranee, Prix Memoire du Medirerranee).

This excellent documentary on one of the most pressing issues of our time brings together rarely seen footage of Palestine before 1948 juxtaposed with historical research, eyewitness accounts, stunning choreography, moving testimonials, and historical documents.

We can state the fact that before the Zionist project began in Palestine it was more heavily populated than the United States of today. We can state that Palestine 20 years or even fifty years after the Zionist project was launched was still predominantly Arab. But it is one thing to state a fact and another to have seen it or lived it. The next best thing is to have a film that shows you a video of the era and pictures of the documents of the era. That is what this film does in a very professional, practical, and effective way.

... Letters in European languages exchanged between European Zionists and European imperialists are read followed by scenes of the impact of these blueprints of social engineering. Articles from newspapers of the late 19th century and early 20th century report on the progress (a poor choice of word in this context) of the colonisation project. We see through documents, including news reports and letters, that the word colonisation was used by the Zionist colonizers, when their writings and their speeches expressed the ideas of replacing the natives with the new population from Europe. We hear from Ahad Haam, Israel Zangwill, Yosef Weitz, Chaim Weitzmann, Theodor Herzl, and David Ben-Gurion. 

Initiation of a Yanomami Shaman

A Channel 4 production that features a lot of incredible footage from the Yanomami people. Released in 1981 this astounding film documents the intensity of a shamanic initiation among the Yanomami. A 7 day ordeal that involves a form of ritual that is almost extinct in the so-called 'modern world'.

The main aim of shamanic initiation among the Yanomami people of the Upper Orinoco River region in Venezuela is the metamorphosis of the human body into a cosmic body, or what Jokic in a 2008 paper terms “corporeal cosmogenesis.” During the initiatory ordeal, the neophyte undergoes an intense experience of death through dismemberment by the spirits and subsequent rebirth, thus overcoming the human condition and becoming an individual living spirit. But, at the same time, he becomes a “collection” of other spirits who leave their natural habitats—located on the mountaintops and in the forest—and move into the initiate's body, which becomes their abode. As the candidate surrenders his soul and humanness to the spirits, the latter become his personal allies and sources of power while imbuing the shaman's postmortem ego with certain properties that can best be described in holographic terms. After the shaman's biological death, his personal spirits become disembodied again and disperse back into the forest and on the mountaintops. When the shaman dies, his soul multiplies, as each of the disembodied spirits becomes a carrier of the shaman's soul image. In this way, through initiations, the shaman becomes a part of a dynamic cosmic circuity, as his hekura can be called upon to invade the bodies of new shamans, and start a cosmogonic initiatory act anew. (Zeljko Jokic, "Yanomami Shamanic Initiation: The Meaning of Death and Postmortem Consciousness in Transformation". May 2008. Anthropology of Consciousness 19(1):33 - 59.)

Catching Fire: The Story of Anita Pallenberg

Catching Fire (2024) was online for a short time. I will keep this post active and see if another copy comes up. Anita Pallenberg (6 April 1942 – 13 June 2017) was an Italian-German film actress, artist, and model. A style icon and "It Girl" of the 1960s and 1970s, Pallenberg was credited as the muse of the Rolling Stones: she was the romantic partner of the Rolling Stones founder, multi-instrumentalist Brian Jones, and later, from 1967 to 1980, the partner of Stones guitarist Keith Richards, with whom she had three children.

Pallenberg appeared in over a dozen films over a 40-year span. One of her first appearances was as the Great Tyrant in Roger Vadim's science fiction film Barbarella (1968); however, the character's actual voice was dubbed by Joan Greenwood. She played the sleeper wife of Michel Piccoli in Dillinger Is Dead (1969), directed by Marco Ferreri. Pallenberg also had roles in the German crime thriller A Degree of Murder (1967), which featured music composed by Brian Jones; the cult film Candy (1968) as James Coburn's possessive nurse; Volker Schlöndorff's Michael Kohlhaas – Der Rebell (1969), which was filmed in Slovakia; and the avant-garde Performance (1970), in which she played the role of Pherber. Performance was shot in 1968, but a nervous studio delayed its release.

Pallenberg appeared in a documentary about the Rolling Stones, Sympathy for the Devil (1968), directed by French filmmaker Jean-Luc Godard. In an interview she gave The Independent, which published it on 16 March 2007, she related her encounters in Rome while La Dolce Vita (1960) was being filmed, with its director Federico Fellini, other filmmakers such as Luchino Visconti and Pier Paolo Pasolini, and with the novelist Alberto Moravia.

In 1985, for the video of "Wild Boys," Duran Duran used a clip of Pallenberg from Barbarella. She portrayed "The Queen" in the comedy-drama Mister Lonely by Harmony Korine, and played a character named Sin in Go Go Tales (both 2007).

In the 1990s, Pallenberg returned to education to study fashion. She graduated from Central Saint Martins in London in 1994 with a fashion and textile degree. However, she decided not to forge ahead with a career in fashion, finding it too cutthroat and cruel.

Pallenberg has been portrayed several times by other performers. Monet Mazur played a young Pallenberg in the film Stoned (2005), a biographical film about the last year of Brian Jones's life, while the NBC television show Studio 60 on the Sunset Strip (2006) included a story arc in which the character Harriet Hayes was hired to play Pallenberg in a film.

Pallenberg's burgeoning relationship with Jones encouraged him to experiment musically in their 1966 album Aftermath, while her intelligence and sophistication both intimidated and elicited envy from the other Stones. Pallenberg played an unusual role in the male-dominated world of rock music in the late 1960s, with Jagger respecting her opinion enough for tracks on Beggars Banquet to be remixed after she criticised them. In the 2002 compilation release of Forty Licks, Pallenberg is credited as singing background vocals on "Sympathy for the Devil".

Tony Sanchez's account of his time as Richards's bodyguard and drug dealer mentions Pallenberg's spiritual practices: "She was obsessed with black magic and began to carry a string of garlic with her everywhere—even to bed." Sanchez goes on to describe Pallenberg as having been "like a life-force, a woman so powerful, so full of strength and determination that men came to lean on her".

Jo Bergman, who was the band's personal assistant from 1967 to 1973, said of Pallenberg: "Anita is a Rolling Stone. She, Mick, Keith and Brian were the Rolling Stones. Her influence has been profound. She keeps things crazy."

In the 1977 Toronto heroin arrest, Pallenberg pled guilty to marijuana possession and was convicted and fined several weeks after Richards' arrest.

Pallenberg was a friend of singer Marianne Faithfull, Jagger's girlfriend in the late 1960s. They appeared together in the fourth series (2001) of the BBC sitcom Absolutely Fabulous in episode four, "Donkey", with Faithfull playing God and Pallenberg the Devil.

Pallenberg died on 13 June 2017, aged 75, due to complications from hepatitis C.

This films is based on an autobiographical manuscript titled Black Magic discovered by Pallenberg's children after her death in 2017.