"Professionalism is a state of mind rather than a state of income" - John Hopkins
The significant counter culture figure John Hopkins on photography and 'Seeing'.
John "Hoppy" Hopkins (15 August 1937 – 30 January 2015) was a British photographer, journalist, researcher and political activist, and "one of the best-known underground figures of 'Swinging London' " in the late 1960s.
At the age of 20 he graduated from Cambridge University (which he had entered on a scholarship in 1955) with a degree in physics and mathematics, and embarked upon a career as a nuclear physicist. However, a graduation present of a camera changed his career. Arriving in London on 1 January 1960, he began to work as a photographer for newspapers, music magazines including Melody Maker, and Peace News. He photographed many of the leading musicians of the period, including The Beatles and the Rolling Stones. He also recorded the seedier side of London, with photographs of tattoo parlours, cafes, prostitutes and fetishists.
By the mid-1960s he had drifted into the centre of London's emerging underground scene and recorded many peace marches, poetry readings and "happenings", as well as photographing leading counter-cultural figures including Allen Ginsberg and Malcolm X. He compiled and stencil-duplicated the names, contact details and interests of all of London's "movers and shakers". He then gave all of them a copy. This action is credited with greatly boosting the cultural velocity of the 1960s London-based underground movement.
In 1965 Hoppy started the first of a lifelong series of projects to democratise communication and information. The London Free school, based in Notting Hill, achieved few of these goals, but its cash-raising events gave Pink Floyd its start and Hoppy’s inspired collaboration with the local West Indian community helped bring about the first annual Notting Hill Carnival.
In October 1966, he and Miles published the first edition of International Times, Europe’s first underground paper. The IT launch party at the Roundhouse – with music by Pink Floyd and Soft Machine – inspired Hoppy him with Joe Boyd to open the UFO Club in a West End dance hall. Every Friday, Hoppy would sit atop a scaffold at the back of the club, playing records, making gnomic announcements, showing films, and projecting light shows; he imbued those nights of music, theatre and dance with an unforgettable atmosphere.