"Anarchism in America" is a 1983 documentary directed by Steven Fischler and Joel Sucher, and produced by Pacific Street Films. It was re-released on DVD by AK Press. The film includes interviews with influential anarchists such as Murray Bookchin, Paul Avrich, Jello Biafra, Mollie Steimer, and Karl Hess, as well as the poet Kenneth Rexroth. "The state is essentially violent"
Friday, August 30, 2024
Anarchism in America
"Anarchism in America" is a 1983 documentary directed by Steven Fischler and Joel Sucher, and produced by Pacific Street Films. It was re-released on DVD by AK Press. The film includes interviews with influential anarchists such as Murray Bookchin, Paul Avrich, Jello Biafra, Mollie Steimer, and Karl Hess, as well as the poet Kenneth Rexroth. "The state is essentially violent"
Wednesday, August 28, 2024
Milk & Serial
The Stone Roses: Made of Stone
The Stone Roses: Made of Stone is a 2013 British music documentary on the acclaimed band The Stone Roses directed by Shane Meadows. The film stars band members Ian Brown, John Squire, Gary Mounfield and Alan Wren. The film was released on 5 June 2013 in the United Kingdom.
The film, which has received positive reviews from critics, follows the band reforming in 2012 after a 16-year split, capturing the band at work and in their everyday lives as they practise for their much-anticipated reunion on a tour across Europe, which culminated in three triumphant homecoming gigs at Manchester's Heaton Park.
Thursday, August 22, 2024
The Quiet American (2002)
The Quiet American (1958)
Wednesday, August 21, 2024
Human Traffic
Wednesday, August 07, 2024
Begotten (1990)
Wednesday, June 05, 2024
Butoh: Body on the Edge of Crisis
1990 / 89 min. / color
Directed by Michael Blackwood
Min Tanaka and Maijuku; Yoko Ashikawa and Hakutobo; Akaji Maro and Dai Rakuda Kan; Kazuo Ohno; Isamu Ohsuka and Byakko-sha; Natsu Nakajima and Muteki-sha; Sankaijuku; and Tatsumi Hijikata.
Butoh, a unique theater of improvisation, places the personal experiences of the dancer on center-stage. A Dionysian dance of nudity, eroticism, and sexuality, Butoh’s scale of expression ranges from meditative tenderness to excessive grotesqueness. Through a recalling of the Buddhist death dances of rural Japan, and use of music and masks Butoh is able to incorporate aspects of traditional theater into its extreme performances. An alliance of tradition and rebellion, Butoh is one of the most fascinating underground dance movements. Butoh: Body on the Edge of Crisis is a visually striking film portrait shot on location in Japan with the participation of the major Butoh choreographers and their companies.
Wednesday, May 29, 2024
NickCave - Straight To You - documentary
Spanning Nick Caves career from Birthday Party to 1993. First authorized Nick Cave documentary. Broadcasted on TV stations in various countries (Germany, Australia, Israel, Switzerland, Austria, Italy).
Monday, May 27, 2024
Vampyr (1932)
Vampyr (German: Vampyr – Der Traum des Allan Gray, lit. 'Vampyr: The Dream of Allan Gray') is a 1932 gothic horror film directed by Danish director Carl Theodor Dreyer. The film was written by Dreyer and Christen Jul based on elements from J. Sheridan Le Fanu's 1872 collection of supernatural stories In a Glass Darkly. Vampyr was funded by Nicolas de Gunzburg who starred in the film under the name of Julian West among a mostly non-professional cast. Gunzburg plays the role of Allan Gray, a student of the occult who enters the village of Courtempierre, which is under the curse of a vampire.
Vampyr was challenging for Dreyer to make as it was his first sound film and was required to be recorded in three languages. To overcome this, very little dialogue was used in the film and much of the story is told with title cards like a silent film. The film was shot entirely on location and to enhance the atmospheric content, Dreyer opted for a washed out, soft focus photographic technique. The soundtrack was created in Berlin where the characters’ voices, sound effects, and score were recorded.
Vampyr had a delayed release in Germany and opened to a generally negative reception from audiences and critics. Dreyer edited the film after its German premiere and it opened to more mixed opinions at its French debut. The film was long considered a low point in Dreyer's career, but modern critical reception to the film has become much more favorable with critics praising the film's disorienting visual effects and atmosphere.
