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Wednesday, September 02, 2020

The Strange Story of Joe Meek (Arena, 1991)


Robert George "Joe" Meek (5 April 1929 – 3 February 1967) was an English record producer, musician, sound engineer and songwriter who pioneered space age and experimental pop music. He also assisted the development of recording practices like overdubbing, sampling and reverberation. Meek is considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognized for his individual identity as an artist.

Meek became fascinated with the idea of communicating with the dead. He would set up tape machines in graveyards in an attempt to record voices from beyond the grave, in one instance capturing the meows of a cat he believed was speaking in human tones, asking for help. In particular, he had an obsession with Buddy Holly (saying the late American rocker had communicated with him in dreams). By the end of his career, Meek's fascination with these topics had taken over his life following the deterioration in his mental health, and he started to believe that his flat contained poltergeists, that aliens were substituting his speech by controlling his mind, and that photographs in his studio were trying to communicate with him.

Meek was affected by bipolar disorder and schizophrenia, and, upon receiving an apparently innocent phone call from American record producer Phil Spector, Meek immediately accused Spector of stealing his ideas before hanging up angrily. His professional efforts were often hindered by his paranoia (Meek was convinced that Decca Records would put hidden microphones behind his wallpaper to steal his ideas), depression, and extreme mood swings. In later years, Meek started experiencing psychotic delusions, culminating in him refusing to use the studio telephone for important communications due to his beliefs that his landlady was eavesdropping on his calls through the chimney, that he could control the minds of others with his recording equipment, and that he could monitor his acts while away from the studio through supernatural means.

Meek was also a frequent recreational drug user, with his barbiturate abuse further worsening his depressive episodes. In addition, his heavy consumption of amphetamines caused him to fly into volatile rages with little or no provocation, at one point leading him to hold a gun to the head of drummer Mitch Mitchell to 'inspire' a high-quality performance.

Meek's homosexuality – at a time when homosexual acts were illegal in the UK – put him under further pressure and he was particularly afraid that his mother would find out about his sexual orientation. In 1963 he was convicted and fined £15 (equivalent to £316 in 2019) for "importuning for immoral purposes" in a London public toilet, and was consequently subject to blackmail. In January 1967, police in Tattingstone, Suffolk, discovered two suitcases containing mutilated body parts of Bernard Oliver. According to some accounts, Meek was afraid of being questioned by the Metropolitan Police, as it was known they were intending to interview all of the gay men in London. This was enough for him to lose his self-control.

Meek always walked everywhere outside the studio wearing sunglasses, fearing recognition by local gangsters such as the Kray twins, who he feared would attempt to steal his acts or blackmail him regarding his homosexuality.

Meek's depression deepened as his financial position became increasingly desperate. French composer Jean Ledrut accused him of plagiarism, claiming that the melody of "Telstar" had been copied from "La Marche d'Austerlitz", a piece from a score Ledrut had written for the film Austerlitz (1960). The lawsuit meant that Meek did not receive royalties from the record during his lifetime, and the issue was not resolved in his favour until three weeks after his death in 1967.

On 3 February 1967, Meek killed his landlady Violet Shenton and then himself with a single-barrelled shotgun that he had confiscated from his protégé, former Tornados bassist and solo star Heinz Burt, at his Holloway Road home/studio. Meek had flown into a rage and taken the gun from Burt when he informed Meek that he had used it while on tour to shoot birds. Meek had kept the gun under his bed, along with some cartridges. As the shotgun had been owned by Burt, he was questioned intensively by police before being eliminated from their enquiries
 

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