Pages

Saturday, November 30, 2024

The Beatniks (1960)


THEIR PASSWORD WAS MUTINY AGAINST SOCIETY! A young singer's chance at fame is threatened by his hoodlum pals.

Director: Paul Frees Writer: Paul Frees Stars: Tony Travis, Karen Kadler, Peter Breck Genres: Crime, Psychotronic film.

The Beatniks is an American crime film in the teensploitation genre directed by Paul Frees that was filmed in 1958 and released in 1959. It was also featured on the movie-mocking program Mystery Science Theater 3000.

Eddy Crane is the leader of a gang that robs small businesses for petty cash. At one point, his gang accosts the broken-down car of a music business executive, Harry Bayliss. Afterward Bayliss wishes to call a tow truck, so he goes into the diner where Eddy's gang is celebrating. Bayliss overhears Eddy singing to the jukebox and offers him a chance to audition for his variety program. Eddy accepts, passes his audition, and is given a spot on television. Eddy sings a two-minute song that is apparently stupendously successful, with Bayliss calling Eddy an "overnight sensation" and prophesying an astounding rise to fame, complete with a hit record, "a guest spot on every top show," and eventually culminating with "The Eddy Crane Show." Atop Eddy's newfound success, he also immediately begins making advances at Bayliss's secretary, Helen Tracy, in preference over his long-suffering girlfriend, Iris.

Thursday, November 28, 2024

Andra takter (1985)


Sixten är punkare och spelar i bandet Anti-Cimex. Filmen följer honom och hans vänner - unga människor som inte vill leva det vanliga Svensson-livet, de vill festa och protestera mot svensk vapenexport.

Swedish film about punk culture and the band Anti-Cimex. The film follows Sixten and his friends, young people who will not live the orginary suburban life, and will party and protest against the Swedish weapons industry.

Ort

Göteborg

Längd

27 minuter

Medverkande

Sixten Andersson, Marie-Louise Waldestam, Subhumans, Peter and the Testtube Babies

Regi

Benny Frick

Manus

Benny Frick

Foto

PeO Olsson

Musik

Anti-Cimex

Producent

Benny Frick

Rättigheter

Tenfilm

Produktionsbolag

Frick Film

Produktionsland

Sverige

Utgångsmaterial

16 mm, normalbild (1,37:1), optisk mono, färg

Arkiv

Svenska Filminstitutet Läs mer om filmen i Svensk Filmdatabas

Musik delas ofta upp i kategorier och subkategorier. I slutet av sjuttiotalet exploderade punken i Sverige och övergick snart i postpunken, som inte var lika kompromisslös, men desto viktigare för svenskt musikliv på åttiotalet. Men det fanns de som höll sig kvar vid den hårda punkmusiken och mer anarkistiska livsideal. I Sverige kom en sådan kategori att kallas kängpunk och där brukar gruppen Anti-Cimex placeras. 

Detta är en kort bakgrund till musiken i Andra takter. Fast filmen handlar mindre om kängpunk och den svenska musikscenen på åttiotalet, och mer om två unga människor som inte kände sig bekväma med det vanliga Svensson-livet med arbete från åtta till fem. De ville inte arbeta, de ville festa och protestera mot svensk vapenexport. De ville åka till Jönköping och spela på en musikfestival, där bland andra det engelska bandet Peter and the Test Tube Babies stod på scen. 

Att frivilligt ställa sig utanför, att med dagens terminologi vara del av utanförskapet, var vid den tiden och i den miljön inte nödvändigtvis något negativt, ibland till och med ideologiskt förankrat. Rädslan för det vanliga knegarlivet och viljan att revoltera mot den äldre generationen är återkommande i andra svenska skildringar av punken, som Stig Larssons halvtimmesdokumentär Punkrock från 1978 och Johan Donners Ebba-the movie om punkbandet Ebba Grön

Wednesday, November 27, 2024

Sins of the Fleshapoids (1965)


Is a campy, low- budget, Avant-garde science fiction film directed by American underground Pioneer Mike Kuchar.

Set one million years in the future , the story unfolds in a dystopian world where humans have grown lazy and self-indulgent, relying entirely on robotic servants knowned as Fleshapoids to furfill their every need.

However one of this Robots rebels ,driven by a forbidden desire for freedom and love .

Blending melodrama ,satire and surrealism,the film explores themes of decadence ,rebelion and unchecked hedonism. With a visual style that embraces kitsch,exaggerated performances and hand crafted aesthetics ,the movie has gained a cult following as a quintessential example of 1960's underground Cinema.

The Kuchars playful use of narration ,campy costumes and DIY special effects highlight the film's charm.

Sins of the Fleshapoids is celebrated for its quirky ,subversive storytelling and remains a touchstone of experimental filmaking.

Tuesday, November 19, 2024

Otto Rahn - The Secret Glory


The complex story of Otto Rahn (18 February 1904 – 13 March 1939), who grew up amidst the ruins of Germany following its defeat in World War One. His parents awoke an interest in nature, myth and legend in him. At the time in Europe, the narratives of Christianity were being challenged and changed. He took up the legend of the Holy Grail and the heretical Christian sects that lasted up until the Inquisition from the 12th to the 15th centuries. The nature cults of the early 20th century that developed in northern Europe also no doubt fed into his thinking. Rahn wrote books about the Grail and the Cathars, one of the last mass manifestations of Gnosticism in Europe.

It seems Rahn was an outsider queer poet who was given a blank cheque by the Nazis to do his research. Of course, the Nazis wanted a particular result from the research; Aryan primacy and the negation of the dominant Christian morality. Himmler was vehemently opposed to Christian sexual morality and the "principle of Christian mercy", both of which he saw as dangerous obstacles to his planned battle with "subhumans". Rahn's work proved to be more complex and ephemeral than that. Rahn was also expected to participate in the theatre of horror that was developed by the Nazis. Rahn was a poet who dwelt in myth, a product of people like James Frazer and Robert Graves (who's book The White Goddess would not be published until 1948). But at the same time Rahn was within the inner circle of the SS, he participated in the establishment of the vast death machine that is now called the Holocaust and in the Nazi eugenics breeding program. But his mother was Jewish.

Rahn's homosexuality had been known to Himmler but, in 1937, it became the subject of difficulties with other SS officers, who had long contrasted their conduct with the open homosexuality common in Ernst Röhm's Sturmabteilung. Following a "drunken homosexual scrape", Rahn was assigned guard duty at the Dachau concentration camp in order to "toughen him up".

Deeply concerned by what he had witnessed in Dachau, Rahn offered his resignation from the SS in February 1939. This was accepted by Himmler. On 13 March, Rahn's body was found by local children in the forest near Söll (Kufstein, Tyrol), in Austria. Sixty years later, in an interview, one of those who found Rahn's body described finding "two empty bottles" next to it. He had frozen to death while under the influence of the sleeping pills. Rahn's death was privately ruled a suicide but was presented by Himmler to the SS as having occurred following a "mountaineering accident".

The film is made by Richard Stanley, a South African filmmaker, known for his work in the horror genre. He began his career making short films and music videos, and subsequently directed the feature films Hardware (1990) and Dust Devil (1992), both of which are considered cult classics. He was the original director of The Island of Dr. Moreau (1996), but was fired early into principal photography due to creative differences, an episode recounted in the 2014 documentary Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau. In 2019, he returned to feature films after more than 20 years, directing the H. P. Lovecraft adaptation Color Out of Space.

Thursday, November 14, 2024

Simon of the Desert (1965) - Luis Buñuel

 


Simon, a deeply religious man living in the 4th century, wants to be nearer to God so he climbs a column. The Devil wants him to come down to Earth and is trying to seduce him.

Wednesday, November 06, 2024

Turkey Shoot (1982)


Turkey Shoot is a 1982 Australian dystopian future movie where ordinary people are thrown into camps and hunted by the rich.

In the near future, after an unspecified holocaust, survivors are herded into prison camps. There, they are hunted for sport by the leaders of the camp. Paul, one of the newest prisoners, is determined not to go down as quietly as the others. 

 Cast: Steve Railsback, Olivia Hussey, Michael Craig 

Director: Brian Trenchard-Smith

The film features rape, cannibalism, torture, gun violence, mutilation and some pretty bad acting. Filmed on location near Cairns, Turkey Shoot underwent a troubled production as a result of a budgetary shortfall that reduced the shooting schedule; this also necessitated multiple scenes being rewritten or cut entirely, extensive simultaneous second unit photography directed by executive producer David Hemmings, and use of stock footage during post-production.

Widely considered to be a seminal example of the Ozploitation cycle, the film is notable for its extreme depictions of graphic violence and sadism; Time Out declared that the film "makes modern day grindhouse imitations such as Machete and Planet Terror seem like anaemic shadows in comparison". Despite receiving negative reviews from such Australian critics as David Stratton and Phillip Adams, Turkey Shoot is recognised as a cult film