Anthony Stern's San Francisco, could be described as a city film and allied with Jean Vigo's A Propos de Nice (France, 1930) and Walther Ruttman's Berlin: die Sinfonie der Großstadt (Berlin: Symphony of a City, Germany, 1927). It could also be described as a film of visible and invisible journeys. It moves between day and night, the city center and its outskirts, the shops and the counter-culture. The invisible journey travels between the two 1960s psychedelic capitals of the world, San Francisco and London.
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