Pages

Saturday, May 17, 2014

Jem Cohen’s “Witness” - (Danceteria '86)



In 1986 the closes thing you could get to the Rites of Pan west of Tangier was a Butthole Surfers concert. Ritual, danger and trance combined into a grinding droning spectacle. This is a short film of the Butthole Surfers at the height of their powers.

In early ‘86 they drove from Los Angeles all the way to New York just to play two lucrative weekend shows at the Danceteria club, only to arrive to find that the second night had been canceled. The band was livid; Haynes got quite drunk just before show time. “During that show it was just complete bedlam,” says Leary, a man who knows from bedlam. After only a song or two, Haynes picked up a beer bottle and viciously smashed Leary over the head with it. Leary’s eyes rolled back in his head as he crumpled on the floor. Then he quickly got up and resumed playing. It was a stunt bottle, made out of sugar. Then Haynes picked up a real bottle and heaved it the length of the room, where it exploded above the exit sign. Soon Haynes had set fire to a pile of trash in the middle of the stage. “And you’re really thinking, ‘Should I get out of here?’” says Michael Macioce. “That was the type of feeling you had - you were 'in danger' at one of their shows.”- Dangerous Minds
Jem Alan Cohen (born 1962) is a New York City-based American film maker, especially known for his observational portraits of urban landscapes, blending of media formats (16mm, Super 8, video) and collaborations with music artists. He is the recipient of the Independent Spirit Award for feature filmmaking. "Cohen's films have been broadcast in Europe by the BBC and ZDF/ARTE, and in the United States by the Sundance Channel and PBS. They are in the collections of the Museum of Modern Art, The Whitney, and Melbourne's Screen Gallery." He also makes multi-channel installations and still photographs and had a photography show at Robert Miller Gallery in 2009. He has received grants from the Guggenheim, Creative Capital, Rockefeller and Alpert Foundations, the National Endowment for the Arts, and other organizations

No comments: